Images of melancholy - the english fantasy consort of viols (RVRCD57)
The English Fantasy Consort of Viols
The English Fantasy Consort of Viols was formed in 1993.
Its members are all professional performers in the field
of Renaissance and Baroque music, specialising in both
the viol and violin families. Their recording of Thomas
Lupo Consort Music for ASV (1996) was highly acclaimed;
reviewers commenting that "the tracks are remarkable
for the ensemble's purity of tone and intonation" and "the
group plays with a delightful sweetness and impeccable
ensemble" (Classic CD).
Lynda Sayce
Lynda Sayce read Music at Oxford University then studied
lute with Jakob Lindberg at the Royal College of Music.
She performs regularly with many leading ensembles, including
Charivari Agréable, the New London Consort and the King's
Consort, and has recorded extensively for radio, television
and many record labels. She is currently writing a book
on the history of the theorbo, and is the author of several
articles in the Revised New Grove Dictionary of Music and
other music and art periodicals.
Andrew Wilson-Dickson
Andrew Wilson-Dickson trained as a pianist and organist (with
John Lill and Nicholas Danby) at the Universities of Cambridge
and York while maintaining a strong interest in composition.
His fascination with the sound world of early instruments
developed in the 70s and has created much wine suitable
for these old bottles, particularly music for viols: consorts,
solos, accompanied works, even opera scores. He is Head
of Early Music at the Welsh College of Music and Drama.
The Fantasia 'Lachrimae' is one of series of consort pieces
for viols for 4, 5, and 6 parts written in the mid-70s. Its
modality and contrapuntal inclinations (including palindromes
and change-ringing patterns) are typical of the composer's
preoccupations at that time.
John Line
John Line, known for his many television appearances, has
been an actor since the early fifties. Recently he played
in Robeson at the Young Vic and recorded The Tempest in
recital at the Barbican for Radio 3.
We are happy to license recordings from our back catalogue for commercial, semi commercial or educational use. We will take applications for charitable purposes but there will be a nominal charge made to cover documentation If the music is still in copyright the licensee will need to contact the publisher for permission and pay any fees requested to Performers and Artists when synchronisation rights are being requested. Please CONTACT us for more information.


